The Anaheim University Akira Kurosawa School of Film

 

Online MFA in Digital Filmmaking

The Online Master of Fine Arts in Digital Filmmaking degree is for individuals living around the world who wish to obtain a quality education from professors based in Hollywood and other leading film markets without having to relocate during their period of study. This program is for recent college graduates, as well as those who have pursued other professions but have a deep interest in filmmaking and a future filmmaking career. All MFA courses are taught 100% online, enabling you to study online while working full time and fulfilling your personal responsibilities.

  • Interact with your professor and fellow classmates around the world through live webcam classes
  • Specialize in a specific aspect of filmmaking through your selection of electives
  • Meet face-to-face with industry professionals and gain hands-on experience with professional equipment at a one-week residential session
  • Learn from professors based in Hollywood and other leading film markets without having to relocate during your period of study
  • Earn your Master's in approximately 3 years while working full-time

 

Click here to view program catalog

 Click here to view the 2022 School Performance Fact Sheet

2009 Cherry Blossom Gala & 2010 Green Planet Movie Awards

Akira Kurosawa Tribute and Anaheim University Akira Kurosawa School of Film Launch

 

Click here to see photos from the 2009 Cherry Blossom Gala and 2010 Green Planet Movie Awards

 

Re-imagining Kurosawa Event at Japan House Los Angeles

Nov 26, 2018: High and Low insight by Anaheim University Akira Kurosawa School of Dean Dr. David Desser + Akira Kurosawa Panel Discussion featuring actor George Takei, Film Critics John Powers and David Ehrenstein, Dr. David Desser and Collider Network Producer John Rocha


 


 

 

 

 
 

Akira Kurosawa was the youngest of seven children, born in Tokyo on 23 March 1910. He has said that the first important influence in his life was a teacher called Tachikawa, who was progressive in his emphasis on art education for the young. This was how the young Kurosawa was introduced to art and film. A talented painter, he enrolled in an art school that emphasized Western styles. Around this time he also joined an artists' group with a great enthusiasm for nineteenth-century Russian literature, with Dostoevsky a particular favourite. Another influence was Heigo, one of his brothers, who loved film and worked as a benshi, a film narrator/commentator for foreign silent films. His suicide deeply affected the director's sensibilities.

In 1930 he responded to a newspaper advertisement for assistant directors at a film studio and began assisting Kajiro Yamamoto, who liked the fact he knew 'a lot about things other than movies'. Within five years he was writing scripts and directing whole sequences for Yamamoto films. In 1943 he made his debut as a director with Judo Saga (Sanshiro Sugata), with a magnificent martial-arts sequence in which two masters fight to the death in a wind-swept field, their flying limbs all but obscured by the tall swaying grasses. Consider the acclaim given to the similar fight sequences in Crouching Tiger, Hidden Dragon and it's obvious why in 1943 people began to talk about a young film-maker with a brilliant future.

Kagemusha36KurosawaSamuraiHis early films were produced during the Second World War, so had to comply to themes prescribed by official state propaganda policy. It was Drunken Angel which was Kurosawa's first personally expressive work, made in 1948 and featuring Toshiro Mifune who became Kurosawa's favourite leading man. The director has noted "In this picture I finally discovered myself".

For those who discover Kurosawa, they will find a master technician and stylist, with a deep humanism and compassion for his characters and an awe of the enormity of nature. He awakened the West to Japanese cinema with Rashomon, which won the top prize in the Venice Film Festival of 1951, and also a special Oscar for best foreign film. A golden period followed, with the West enthralled by his work. Seven Samurai was remade in the US under its alternative title The Magnificent Seven and the lone samurai hero Yojimbo was the inspiration for Clint Eastwood's man with no name persona, most obviously in A Fistful of Dollars. The intercultural influence was reciprocal. Kurosawa's fondness for Hollywood westerns in the John Ford tradition is seen in the epic sweep of Hidden Fortress, an award-winning film that inspired George Lucas to lift the plot for Star Wars. His love of literature also surfaced in two superb interpretations of Shakespeare (Macbeth in Throne of Blood and King Lear in Ran) and versions of Gorky's The Lower Depths and The Idiot by Dostoevsky.

Following Red Beard (Akahige) in 1965 he entered a frustrating period of aborted projects and forced inactivity and when in 1970 his first film in five years (Dodeska-den) failed at the box office, he attempted suicide. Directing a Soviet-Japanese production, Dersu Uzala helped him to recover and took four years to make. It won the Oscar for Best Foreign Film in 1975 and a gold medal at the Moscow Film Festival.

Kurosawa won multiple awards for many of his films, notably Kagemusha (1980), a deeply humanistic historical epic, and for the blockbusting Ran (1985). A true auteur, he supervised the editing of nearly all his films and wrote or collaborated on the scripts of most. His memoirs were published in 1982, titled Something like an Autobiography.

In 1989 he won an Oscar for Lifetime Achievement. At the age of 72 he said "I like unformed characters. This may be because, no matter how old I get, I am still unformed myself." Kurosawa died in 1998.

Source: British Film Institute (BFI)

Akira Kurosawa was the youngest of seven children, born in Tokyo on 23 March 1910. He has said that the first important influence in his life was a teacher called Tachikawa, who was progressive in his emphasis on art education for the young. This was how the young Kurosawa was introduced to art and film. A talented painter, he enrolled in an art school that emphasized Western styles. Around this time he also joined an artists' group with a great enthusiasm for nineteenth-century Russian literature, with Dostoevsky a particular favourite. Another influence was Heigo, one of his brothers, who loved film and worked as a benshi, a film narrator/commentator for foreign silent films. His suicide deeply affected the director's sensibilities.

In 1930 he responded to a newspaper advertisement for assistant directors at a film studio and began assisting Kajiro Yamamoto, who liked the fact he knew 'a lot about things other than movies'. Within five years he was writing scripts and directing whole sequences for Yamamoto films. In 1943 he made his debut as a director with Judo Saga (Sanshiro Sugata), with a magnificent martial-arts sequence in which two masters fight to the death in a wind-swept field, their flying limbs all but obscured by the tall swaying grasses. Consider the acclaim given to the similar fight sequences in Crouching Tiger, Hidden Dragon and it's obvious why in 1943 people began to talk about a young film-maker with a brilliant future.

Akira Kurosawa 99th Birthday Director's Tribute Frame Overlay Watch the video

See globally acclaimed directors Steven Spielberg, George Lucas and Martin Scorsese pay tribute to the late Japanese film director Akira Kurosawa. This tribute was organized by the Anaheim University Akira Kurosawa School of Film and was held at the Cherry Blossom Gala at the Beverly Hills Hotel on March 23th, 2009, on what would have been the 99th birthday of Akira Kurosawa.